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The work was developed around the discovery of an imperfect model of a telegraph post, with a glitch in its moulding, which made it appear to be dripping. Sited down an urban alleyway at night, hidden in a cardboard box, the shadow was projected onto a concrete wall.  The work references film noir and the human imperfection implicit in manufactured objects, made on machines and with equipment programmed by imperfect people.

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